macropowerful

KBPS stands for kilobits per second and the number of KBPS represents the audio quality of the MP3s. Here's the range of quality: 128 kbps = good, 192 kbps = great, 256 kbps = awesome and 320 kbps = perfect. Download FLAC Bat For Lashes - Two Suns 2009 lossless CD, MP3.

1. Bat For Lashes Two Suns 320 Rare

A new version of Last.fm is available, to keep everything running smoothly, please reload the site.

Two Suns is the second studio album by English recording artist Bat for Lashes, released on 3 April 2009 by The Echo Label and Parlophone. The album was produced by Khan herself and David Kosten (who also worked on her debut album Fur and Gold), and features collaborations with members of Yeasayer and Scott Walker. Two Suns was recorded in segments in California, New York City, London, Brighton and Wales.

Upon its release, Two Suns was met with positive reviews… read more Assassins creed unity game ultimate trainer 2. Stuart little movie in hindi youtube.

The person in front would whisper the word to the 1st player then the 1st player would eat a calamansi. The rules of the games: 1. Pass the message samples. The 1st player would pass the message or word to the next player. The next players would do the same thing until the word or message was passed to the last player.

Tracklist

Don't want to see ads? Subscribe now

Bat For Lashes Two Suns 320 Rare

API Calls

Natasha Khan's debut album as Bat for Lashes, Fur and Gold, was so vivid and fully realized that it was a tough act to follow: she found ways to make her wildest flights of fancy into music with the immediacy of pop and the intimacy of a singer/songwriter's confessions. It takes a lot of ambition to pull off that kind of alchemy, and that ambition defines Two Suns. Khan's sounds and visions are even more widescreen here, full of pristine electronics and heady concepts, and Scott Walker, the undisputed king of high-concept music, duets with her on the ultra-theatrical finale 'The Big Sleep.' Since Bat for Lashes' songs practically burst with characters and ideas, a concept album seems like a logical next step for Khan's music, but the magic her songs had previously feels dissipated this time around. Two Suns revolves around Khan's 'desert-born spiritual self' and her 'destructive, self-absorbed, blonde femme fatale' alter ego Pearl as it covers 'the philosophy of the self and duality, examining the need for both chaos and balance, for both love and pain, in addition to touching on metaphysical ideas concerning the connections between all existence.' That's a lot to pack into just 11 songs, and it's not always entirely clear just what they're about, despite motifs like 'blue dreams' that run through them. Some songs are just plain overdone: 'Traveling Woman' and 'Peace of Mind,' with its tribal rhythms and gospel choir, aim for majesty but end up dragging. Others use the album's posh polish to make an impact, like 'Glass' -- on which Khan hits some amazing high notes -- and 'Daniel,' which nods to the poppier side of her music. The directness that made Fur and Gold's modern-day fairy tales so enchanting and moving is often missing, and nothing on Two Suns is as musically or emotionally immediate as 'What's a Girl to Do?' or 'Sad Eyes.' However, the subtler spells Khan casts with hypnotic tracks like 'Sleep Alone' and 'Moon and Moon' eventually reveal their beauty. And as Two Suns unfolds, it gradually shifts from overt attempts to dazzle listeners to focusing on Bat for Lashes' greatest strengths: Khan's voice and her considerable skills at telling a story and setting a mood. Pearl may be the album's dark side, but she's responsible for some of its best songs. 'Siren Song' sets her seductive false promises to dramatic pianos, while 'Pearl's Dream,' with its battles and kingdoms, is classic Bat for Lashes. 'Good Love' reaffirms Khan's way with bruised ballads, and 'Two Planets' pummeling beats and swirling voices make the mystical power the rest of the album reached for crystal-clear. Ultimately, Two Suns is nearly as graceful and poetic as Bat for Lashes' best work; it's just that the album's massive concepts and sounds require a little more time and patience to unravel to get to the songs' hearts. It's clear that Khan's talent and ambition are both huge, and for her to slightly overreach is better than not aiming as high as she can.